אַ֭שֻּׁרֵינוּ עַתָּ֣ה סבבוני סְבָב֑וּנוּ עֵינֵיהֶ֥ם יָ֝שִׁ֗יתוּ לִנְט֥וֹת בָּאָֽרֶץ
They have now surrounded us in our steps. They set their eyes to cast us down to the earth.
World English Bible · Public Domain
They have now surrounded us in our steps. They set their eyes to cast us down to the earth.
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They have now surrounded us in our steps. They set their eyes to cast us down to the earth.
They have now compassed us in our steps: they have set their eyes bowing down to the earth;
They have surrounded me now our steps. Their eyes they have set, crouching down to the earth.
unfoldingWord Literal Text — © unfoldingWord, licensed CC BY-SA 4.0. Word-aligned USFM3 via Door43 (git.door43.org/unfoldingWord/en_ult).
Every available English version of this verse, each an independent rendering of the whole verse.
They have now surrounded us in our steps. They set their eyes to cast us down to the earth.
They have tracked us down, and now surround us; their eyes are set to cast us to the ground,
They have tracked us down, and now surround us; their eyes are set to cast us to the ground,
They have now compassed us in our steps: they have set their eyes bowing down to the earth;
They have now compassed us in our steps; They set their eyes to cast `us' down to the earth.
They have now compassed us in our steps: they set their eyes to cast us down to the earth.
They haue compassed vs now in our steps: they haue set their eyes to bring downe to the ground:
They have cast me forth and now they have surrounded me: they have set their eyes bowing down to the earth.
`Our steps now have compassed `him';' Their eyes they set to turn aside in the land.
“Our steps have now surrounded [him]”; They set their eyes to turn aside in the land.
They have surrounded my steps. They set their eyes to strike me to the ground.
They have surrounded me now our steps. Their eyes they have set, crouching down to the earth.
They have now encompassed us in our steps; their eyes have they set, bowing down to the earth.
They have now surrounded us in our steps. They set their eyes to cast us down to the earth.
They have now compassed us in our steps: they have set their eyes bowing down to the earth;
They hunt me down and surround me, looking for the chance to knock me down in the dust.
They have made a circle round our steps: their eyes are fixed on us, forcing us down to the earth;
At our every step they have now encompassed us; they set their eyes to cast us down to the earth.
Literal Standard Version (2020), Covenant Press — licensed CC BY-SA 4.0. Text via the HelloAO Bible API (eBible.org). Unlocked Literal Bible (unfoldingWord) — licensed CC BY-SA 4.0. Text via the HelloAO Bible API (eBible.org). unfoldingWord Literal Text — © unfoldingWord, licensed CC BY-SA 4.0. Word-aligned USFM3 via Door43 (git.door43.org/unfoldingWord/en_ult). Free Bible Version, Dr. Jonathan Gallagher — licensed CC BY-SA 4.0. Text via the HelloAO Bible API (eBible.org).
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These counts appear in no published source. They are computed here, from the morphology-tagged text and Lemma’s own curated glosses. What Lemma adds →
Notable vocabulary
The rarest word here is אַ֭שֻּׁרֵינוּ step H838 — appearing just 9 times in the whole Hebrew Bible.
Shared distinctive vocabulary
אַ֭שֻּׁרֵינוּ step H838 occurs in 9 verses of the Hebrew Bible. Also found in:
Grammatical profile
Verb forms
Repetition
A word recurs within this verse — often emphatic in Hebrew:
Hebrew & Septuagint length
In English translation the verse runs 19 words from the Hebrew and 25 from the Septuagint (LXX English) — closely comparable.
A rough comparison of the two English renderings, which tokenize alike — not a word-level alignment.
Word counts can differ between the Hebrew and the Greek without any difference in meaning — e.g. the Hebrew direct-object marker אֵת has no separate Greek word, and Greek often adds the article ὁ.
In the original languages it is 8 Hebrew tokens and 13 Greek tokens — but the two are counted differently (Hebrew bundles its prefixes and suffixes into one token; the Greek is in lemma form), so that isn’t a like-for-like length.
Topical passages linked to Psalms 17:11 in the Treasury of Scripture Knowledge — connected by theme and wording, ordered by reader-vote popularity; previews shown in the World English Bible.
Cross-references courtesy of OpenBible.info (CC BY 4.0).
The same verse in the two great witnesses to the Old Testament, shown verse-for-verse.
You’re reading Greek Psalm 16 (Hebrew Psalm 17). The Septuagint counts the superscription, so verse numbers can differ from the Hebrew — chapter-level alignment, not verse-by-verse. Numbering follows Rahlfs.
These are two independent witnesses, not word-aligned to each other, and the Septuagint is shown in lemma (dictionary) form.
אַ֭שֻּׁרֵינוּ עַתָּ֣ה סבבוני סְבָב֑וּנוּ עֵינֵיהֶ֥ם יָ֝שִׁ֗יתוּ לִנְט֥וֹת בָּאָֽרֶץ
They have now surrounded us in our steps. They set their eyes to cast us down to the earth.
World English Bible · Public Domain
ἐκβάλλω ἐγώ νυνί περικυκλόω ἐγώ ὁ ὀφθαλμός αὐτός τίθημι ἐκκλίνω ἐν ὁ γῆ
They have now cast me out and compassed me round about: they have set their eyes so as to bow them down to the ground.
LXX2012 (modern English Septuagint) · Public Domain
Hebrew: Westminster Leningrad Codex (CC BY 4.0). Greek: Septuagint (public domain); English from LXX2012 (modern English Septuagint) (Public Domain). How the Septuagint differs from the Hebrew →
Teaching starters — assembled from the data on this page, not authored interpretation. Every prompt links to the verse data it draws on. Edit before teaching.
Psalms, in the Wisdom, opens this verse with 8 words (7 distinct Hebrew lemmas). Its most distinctive word is ʼâshur (“step”). A historical commentator’s framing appears above. Read the whole chapter for the surrounding context.
Commentary
Notes on Psalms 17:11 from classic Christian and Jewish commentators (each source and its license shown beneath its notes). The classic Christian expositions comment on the surrounding passage and are grouped to its opening verse, so a note may address several verses; the Jewish commentaries on the Tanakh (Rashi and others) are per-verse, so they appear only where the commentator wrote on this verse.
Lemma curates 59 commentaries, every one of them public domain or Creative Commons licensed, each selected and text-cleaned for this edition rather than reprinted as found. About our sources →
Trapp's Complete Commentary
John Trapp
John Trapp, A Commentary or Exposition upon All the Books of the Old and New Testament (1647–1656) — public domain. Text from a community e-Sword module.
Joseph Benson's Commentary
Joseph Benson's Commentary on the Old and New Testaments (1811–1818) — public domain. Text from a community e-Sword module.
J. A. Alexander on Psalms
Joseph Addison Alexander
Joseph Addison Alexander, The Psalms Translated and Explained (1850) — public domain. Text from a community e-Sword module.
Jamieson, Fausset & Brown
Robert Jamieson, A. R. Fausset & David Brown
Jamieson, Fausset & Brown — Commentary Critical and Explanatory on the Whole Bible (1871) — public domain (CC PDM 1.0). Text via the HelloAO Bible API.
Adam Clarke's Commentary
Adam Clarke's Commentary on the Bible (1810–1826) — public domain. Text from a community e-Sword/MySword module.
John Calvin's Commentaries
John Calvin's Commentaries (1540-1563) — public domain. Text from the Calvin Translation Society English edition (1840s-50s) via the Christian Classics Ethereal Library (ccel.org). Calvin's coverage is partial (roughly two-thirds of the Bible); uncommented books and verses are honest gaps, never fabricated. The 19th-century editor's footnotes and remarks are omitted so the notes are faithfully Calvin's own voice.
Ellicott's Commentary for English Readers
A Bible Commentary for English Readers, edited by Charles John Ellicott (1878–1897) — public domain. Text from a community e-Sword module.
The Cambridge Bible for Schools and Colleges
gen. ed. J. J. S. Perowne
The Cambridge Bible for Schools and Colleges (gen. ed. J. J. S. Perowne; Cambridge University Press, 1878–1918) — public domain. Text from a community e-Sword module.
John Gill's Exposition
John Gill's Exposition of the Whole Bible (1746–1763) — public domain (CC PDM 1.0). Text via the HelloAO Bible API.
Albert Barnes' Notes on the Bible
Albert Barnes' Notes on the Bible (1834–1885) — public domain. Text from a community e-Sword/MySword module.
Matthew Poole's English Annotations
Matthew Poole's English Annotations on the Holy Bible (1683–1685) — public domain. Text from a community e-Sword/MySword module.
The Treasury of David
Charles H. Spurgeon
Charles H. Spurgeon's The Treasury of David (1869–1885) — public domain. Psalms only. Text from a community e-Sword/MySword module.
Whedon's Commentary on the Bible
Daniel D. Whedon
Daniel D. Whedon (gen. ed.), Commentary on the Old and New Testaments (1874–1909) — public domain. Text from a community e-Sword module.
The Pulpit Commentary
The Pulpit Commentary (1880–1919), ed. H.D.M. Spence-Jones & Joseph S. Exell — public domain. Text from a community e-Sword module.
John Wesley's Explanatory Notes
John Wesley, Explanatory Notes Upon the Whole Bible (1754–1765) — public domain. Text via the GEBible commentary corpus.
unfoldingWord translationNotes
Door43 World Missions Community
unfoldingWord translationNotes — © Distant Shores Media and the Door43 World Missions Community, licensed CC BY-SA 4.0. Source: git.door43.org/Door43/en_tn.
Rashi
Rabbi Shlomo Yitzchaki (Rashi)
Rashi on the Tanakh — English translations: “The Judaica Press complete Tanach with Rashi, translated by A. J. Rosenberg” (CC BY 4.0); “Pentateuch with Rashi's commentary by M. Rosenbaum and A.M. Silbermann, 1929-1934” (public domain); “The Metsudah Tanach series, Lakewood, N.J” (CC BY 4.0); and “The Book of Joshua, Metsudah Publications, 1997” (CC BY 4.0). Text via Sefaria.
Radak
Rabbi David Kimhi (Radak)
Radak on the Tanakh — English translations: “Sefaria Community Translation” (CC0 1.0 (public-domain dedication)); “Eliyahu Munk, HaChut Hameshulash” (CC BY 4.0); “Rabbi Mike Feuer, Jerusalem Anthology” (CC BY 4.0); and “R. David Kimhi on the first book of Psalms, Translated by R.G. Finch, London, 1919” (public domain). Text via Sefaria.