Psalms 98:5

Psa 98:5 Sing unto the LORD with the harp; with the harp, and the voice of a psalm.

Ver. 5. Sing unto the Lord with the harp] Tum cithararum tum vocum mutuis vicibus; do your utmost in the most superlative manner you can devise.

John Trapp, A Commentary or Exposition upon All the Books of the Old and New Testament (1647–1656) — public domain. Text from a community e-Sword module.

Verse 5. With - the voice of a Psalm.] I think זמרה zimrah, which we translate Psalm, means either a musical instrument, or a species of ode modulated by different voices.

Adam Clarke's Commentary on the Bible (1810–1826) — public domain. Text from a community e-Sword/MySword module.

(5) Sing . . .—Rather, Play to Jehovah on a harp. on a harp, and with melodious sound of music.

A Bible Commentary for English Readers, edited by Charles John Ellicott (1878–1897) — public domain. Text from a community e-Sword module.

5. Make melody unto Jehovah with the harp:

With the harp and the sound of melody.

Cp. Isa_51:3.

The Cambridge Bible for Schools and Colleges (gen. ed. J. J. S. Perowne; Cambridge University Press, 1878–1918) — public domain. Text from a community e-Sword module.

Sing unto the Lord with the harp,.... Playing upon that at the same time: here and in the following verse is an allusion to Old Testament worship, and the manner of performing that; not that this should be done in New Testament times, only New Testament worship is expressed in Old Testament language, which is no unusual thing; hence in Gospel times, and Gospel churches, the saints, especially when singing the new song of redeeming grace, are said to have harps in their hands, expressive only of their spiritual melody in their hearts, Rev 5:8,

with the harp, and the voice of the psalm; with the harp alone first, as Aben Ezra and Kimchi interpret it, and then with the harp, and together with the words of a psalm, sung in a psalm tune. Gospel churches are to sing psalms, hymns, and spiritual songs, Eph 5:19.

John Gill's Exposition of the Whole Bible (1746–1763) — public domain (CC PDM 1.0). Text via the HelloAO Bible API.

Sing unto the Lord with the harp - A song or psalm accompanied by the harp. On the harp. See the notes at Isa 5:12.

And the voice of a psalm - The voice in singing; a musical voice. Let it not be mere instrumental music, but let that be accompanied with the voice uttering intelligible sounds or words. The only proper use of instrumental music in the worship of God is to deepen the impression which the words are adapted to make; to secure a better influence of truth on the heart.

Albert Barnes' Notes on the Bible (1834–1885) — public domain. Text from a community e-Sword/MySword module.

The worship of the New Testament is here described in phrases taken from the rites of the old, as Psa 92:3, and oft elsewhere.

Matthew Poole's English Annotations on the Holy Bible (1683–1685) — public domain. Text from a community e-Sword/MySword module.

Ver. 5. With the harp, with the harp. The repetition made use of is emphatic, and implies that the most ardent attempts men might make to celebrate the great work of the world's redemption would fall short of the riches of the grace of God. John Calvin.

Ver. 5. The voice of a psalm. The sound of the Zimrah, hrmz, here, as in Ps 81:2, is certainly the name of some musical instrument. But what the particular instrument might be, which went by that name, is quite uncertain. Samuel Horsley.

Ver. 5. The voice of a Psalm. With psalms Jehoshaphat and Hezekiah celebrated their victories. Psalms made glad the heart of the exiles who returned from Babylon. Psalms gave courage and strength to the Maccabees

Ver. 5. Sing unto the LORD with the harp. Skill in music should not be desecrated to the world's evil mirth, it should aid the private devotions of the saint, and then, like George Herbert, he will sing,

"My God, my God,

My music shall find thee,

And every string

Shall have his attribute to sing."

Martin Luther was thus wont to praise the Lord, whom he loved so well. God's praises should be performed in the best possible manner, but their sweetness mainly lies in spiritual qualities. The concords of faith and repentance, the harmonies of obedience and love are true music in the ear of the Most High, and better please him than "heaving bellows taught to blow, "though managed by the noblest master of human minstrelsy.

With the harp. A very sweet instrument of music, and capable of great expression. The repetition of the word is highly poetical, and shows that the daintiest expressions of poetry are none too rich for the praise of God. His worship should be plain, but not uncouth, if we can compass elegancies of expression there are occasions upon which they will be most appropriate; God, who accepts the unlettered ditty of a ploughman, does not reject the smooth verse of a Cowper, or the sublime strains of a Milton. All repetitions are not vain repetitions, in sacred song there should be graceful repeats, they render the sense emphatic, and help to fire the soul; even preachers do not amiss when they dwell on a word and sound it out again and again, till dull ears feel its emphasis.

And the voice of a Psalm, or with a musical voice, as distinguished from common speech. Our voice has in it many modulations; there is the voice of conversation, the voice of complaint, the voice of pleading, the voice of command, and there ought to be with each of us the voice of a Psalm. Man's voice is at its best when it sings the best words in the best spirit to the best of Beings. Love and war must not monopolise the lyric muse; the love of God and the conquests of Immanuel should win to themselves man's sweetest strains. Do we sing enough unto the Lord? May not the birds of the air rebuke our sullen and ungrateful silence?

in their brave struggles to achieve their country's independence, and were the repeated expression of their thanksgivings. The Lord of Psalmists and the Son of David, by the words of a Psalm proved himself to be higher than David; and sang Psalms with his apostles on the night before he suffered, when he instituted the holy supper of his love. With Psalms Paul and Silas praised God in the prison at midnight when their feet were made fast in the stocks, and sang so loud that the prisoners heard them. And after his own example the apostle exhorts the Christians at Ephesus and Colossae to teach and admonish one another with Psalms anti hymns and spiritual songs. Jerome tells us that in his day the Psalms were to be heard in the fields and vineyards of Palestine, and that they fell sweetly on the ear, mingling with the songs of birds, and the scent of flowers in spring. The ploughman as he guided his plough chanted the hallelujah, and the reaper, the vine dresser, and the shepherd sang the songs of David. "These, "he says, "are our love songs, these the instruments of our agriculture." Sidonins Apollinaris makes his boatmen, as they urge their heavily laden barge up stream, sing Psalms, till the river banks echo again with the hallelujah, and beautifully applies the custom, in a figure, to the voyage of the Christian life. J.J.S. Perowne.

Ver. 5. The voice of a Psalm. In D'Israeli's "Curiosities of Literature" there is a very curious piece upon Psalm singing, in which he mentions the spread of the singing of Psalms in France, which was first started among the Romanists by the version of Clement Marot, the favoured bard of Francis the First. In Marot's dedication occur the following lines:

"Thrice happy they, who may behold,

And listen in that age of gold!

As by the plough the labourer strays,

And carman 'mid the public ways,

And tradesman in his shop shall swell

Their voice in Psalm or canticle,

Singing to solace toil; again

From woods shall come a sweeter strain!

Shepherd and shepherdess shall vie

In many a tender Psalmody;

And the Creator's name prolong,

As rock and stream return their song!

Begin then, ladies fair! begin

The age renew'd that knows no sin!

And with light heart, that wants no wing,

Sing! from this holy songbook, sing!"

The singing of these Psalms became so popular that D'lsraeli suggests that "it first conveyed to the sullen fancy of the austere Calvin the project" of introducing the singing of Psalms into his Genevan discipline. "This infectious frenzy of Psalm singing, "as Warton almost blasphemously describes it, rapidly propagated itself through Germany as well as France, and passed over to England. D'Israeli says, with a sneer, that in the time of the Commonwealth, "Psalms were now sung at Lord Mayor's dinners and city feasts; soldiers sang them on their march and at parade; and few houses which had windows fronting the streets, but had their evening Psalms." We can only add, would to God it were so again. C.H.S.

Ver. 5-6. These were, literally, the instruments most in use among the Jews, and a spiritual signification has been attached to each instrument. They seem to me to represent the cardinal virtues, the harp implying prudence; the psaltery, justice; the trumpet, fortitude; and the cornet, temperance. Bellarmine.

Ver. 5-6. It is evident that the Psalmist here expresses the vehement and ardent affection which the faithful ought to have in praising God, when he enjoins musical instruments to be employed for this purpose. He would have nothing omitted by believers which tends to animate the minds and feelings of men in singing God's praises. The name of God, no doubt, can, properly speaking, be celebrated only by the articulate voice; but it is not without reason that David adds to this those aids by which believers were wont to stimulate themselves the more to this exercise; especially considering that he was speaking to God's ancient people. There is a distinction, however, to be observed here, that we may not indiscriminately consider as applicable to ourselves everything which was formerly enjoined upon the Jews. I have no doubt that playing upon cymbals, touching the harp and the viol, and all that kind of music which is so frequently mentioned in the Psalms, was a part of the education; that is to say, the puerile instruction of the law: I speak of the stated service of the temple. For even now, if believers choose to cheer themselves with musical instruments, they should, I think, make it their object not to dissever their cheerfulness from the praises of God. But when they frequent their sacred assemblies, musical instruments in celebrating the praises of God would be no more suitable than the burning of incense, the lighting up of lamps, and the restoration of the other shadows of the law. The Papists, therefore, have foolishly borrowed this, as well as many other things from the Jews. Men who are fond of outward pomp may delight in that noise; but the simplicity which God recommends to us by the apostle is far more pleasing to him. Paul allows us to bless God in the public assembly of the saints only in a known tongue, 1Co 14:16. The voice of man, although not understood by the generality, assuredly excels all inanimate instruments of music; and yet we see what Paul determines concerning speaking in an unknown tongue. What shall we then say of chanting, which fills the ears with nothing but an empty sound? Does any one object that music is very useful for awakening the minds of men and moving their hearts?, I own it; but we should always take care that no corruption creep in, which might both defile the pure worship of God and involve men in superstition. Moreover, since the Holy Spirit expressly warns us of this danger by the mouth of Paul, to proceed beyond what we are there warranted by him, is not only, I must say, unadvised zeal, but wicked and perverse obstinacy. John Calvin.

Ver. 5-6. The song and the stringed instruments belonged to the Levites, and the trumpets to the priests alone. Kitto says the trumpets did not join in the concert, but were sounded during certain regulated pauses in the vocal and instrumental music. The harps and voices made the sweetness, while the trumpets and horns added the strength; melody and energy should combine in the worship of God. C.H.S.

Psalms 98:6*

Charles H. Spurgeon's The Treasury of David (1869–1885) — public domain. Psalms only. Text from a community e-Sword/MySword module.

Sing unto the Lord with the harp; i.e. "with a harp accompaniment." It is fitting that in the praises of God instrumental music should be joined with vocal melody. (comp. Exo_15:20 2Sa_6:15 1Ch_15:16, 28 16:6 2Ch_5:12, 13 Ezr_3:10 Neh_12:27, etc.) With the harp, and the voice of a psalm; or, the voice of melody (Revised Version).

Vers. 5-7. Showing our joy in God.

It must strike every reader of the Psalms that the call to give expression to the joy felt in God is very frequent. We are constantly made to feel that the people did not readily come up to the psalmist"s standpoint. Emotionally he could not raise them to his level, and their flagging and dragging seems sometimes to worry him. But the intensely earnest man, the man of cultured spiritual feeling, the pious poet soul, always has this trouble, and is always in danger of misapprehending his fellows because they seem unable adequately to respond to him. He does not realize that he may be no better standard, since he is above average, than they are who are below average. The man in advance does us all good by lifting us all higher, if he fails to lift us to his own level. If we cannot sing and praise as the psalmist does, we can all sing and praise better because the psalmist chants so nobly. Illustrate this point by referring to David, the royal psalmist, actually beginning in the tabernacle a service of song. No doubt some were heartily with him from the first, but many must have given him trouble. Some were tiresomely indifferent. They would not come, but they would give no reasons for not coming. Some opposed, and we can well imagine some of the grounds of their opposition. So it always is and always will be. We may qualify the trouble this may cause us by remembering that the signs and expressions of religious feeling greatly differ, and we cannot reasonably expect all persons to express themselves as we do. What we may look for, and work for, is some expression of what is in men"s hearts toward the Lord. Let them break out into songs and music, if that will best utter their hearts. Let them abound in good works, if they like that voice for their souls better. The main thing is this if a man has any joy in God in his soul, let him find out how to give it voice, so that God and men may know of it. R.T.

The Pulpit Commentary (1880–1919), ed. H.D.M. Spence-Jones & Joseph S. Exell — public domain. Text from a community e-Sword module.

melodious

delightful or pleasing musical sound

the horn

an animal horn used as a musical instrument

make a joyful noise

"raise a shout." See how "shout" is translated in Psalms 47:1.

translationWords

harp

trumpet

joy

king

unfoldingWord translationNotes — © Distant Shores Media and the Door43 World Missions Community, licensed CC BY-SA 4.0. Source: git.door43.org/Door43/en_tn.