Daniel 2:32

Dan 2:32 This image’s head [was] of fine gold, his breast and his arms of silver, his belly and his thighs of brass,

Ver. 32. The image’s head was of fine gold.] This is the first, and till now, altogether unheard of prophecy concerning the four monarchies of the world. Res plane digna quae memoriae tota commendetur, saith one; {a} a scripture worthy to be well remembered, because it briefly comprehendeth the history of all ages to the world’s end.

His breast and his arms of silver.] The elder they are the baser; so is Rome papal, of which one of her sons, {b} over two hundred years since, complained, not without good cause, that she was become of gold, silver; of silver, iron; of iron, earth; superesse ut in stercus abiret, and that she would turn next into dung.

{a} Sleid. Deu 4:1-49 Monarch.

{b} Theodoric Urias, A.D. 1414.

John Trapp, A Commentary or Exposition upon All the Books of the Old and New Testament (1647–1656) — public domain. Text from a community e-Sword module.

Dan 2:32-33. This image’s head was of fine gold — The Babylonian monarchy had arrived to the height of glory under Nebuchadnezzar, (see Dan 2:37-38,) who likewise improved and adorned the city of Babylon to such a degree as to make it one of the wonders of the world; so that this empire might justly be compared to a head of gold. His breast and his arms of silver — The second monarchy, of Medes and Persians, would be inferior to the first: see note on Dan 2:39. His belly and his thighs of brass, his legs of iron — These emblems denoted the strength of the third and fourth monarchies, and the irresistible force with which they should subdue their adversaries. Iron and brass are the emblems of strength in the prophetical writings; and they were in other respects emblematical of these empires, as we shall see by and by. His feet part of iron and part of clay — By this was signified the Roman empire in its declining state, as will be shown presently.

Joseph Benson's Commentary on the Old and New Testaments (1811–1818) — public domain. Text from a community e-Sword module.

2:32-33 There were gradations of gold; fine gold was the highest quality. • thighs: Above the knees. • legs: Below the knees.

Tyndale Open Study Notes — © Tyndale Open Resources, licensed CC BY-SA 4.0. Text via the HelloAO Bible API.

[Daniel 2:32] Hu tzalma (הוּא צַלְמָא - That statue): [Identifying the body parts mentioned:] Its head of fine gold; Its breast (chadohi - חֲדוֹהִי) and arms (ud'raʿohi - וּדְרָעוֹהִי) of silver [are] the breast (ha-chazeh - הֶחָזֶה) and its arms (uz'roʿotav - וּזְרֹעוֹתָיו); its belly (meʿohi - מְעוֹהִי) and thighs (v'yarkhateh - וְיַרְכָתֵהּ) of bronze [are] its belly (bitno - בִּטְנוֹ) and its thighs (viyrichav - וִירֵכָיו).

Ibn Ezra on the Tanakh — English translations: “Sefaria Community Translation” (CC0 1.0 (public-domain dedication)); “Yalkut, Sifsei Chachomim Chumash, Metsudah Publications, 2009” (CC BY 4.0); and “Commentary of Ibn Ezra on Isaiah - trans. by M. Friedlander, 1873” (public domain). Text via Sefaria.

By gold, silver, brass and iron, are meant the Chaldean, Persian, Macedonian and Roman kingdoms, which should successively rule all the world till Christ (which is here called the stone) come himself, and destroy the last: and this was to assure the Jews, that their affliction should not end with the empire of the Chaldeans, but that they should patiently abide the coming of Messiah, which should be at the end of this fourth monarchy.

Geneva Bible (1599) marginal notes — public domain. Text via Bolls.life.

On ancient coins states are often represented by human figures. The head and higher parts signify the earlier times; the lower, the later times. The metals become successively baser and baser, implying the growing degeneracy from worse to worse. Hesiod, two hundred years before Daniel, had compared the four ages to the four metals in the same order; the idea is sanctioned here by Holy Writ. It was perhaps one of those fragments of revelation among the heathen derived from the tradition as to the fall of man. The metals lessen in specific gravity, as they downwards; silver is not so heavy as gold, brass not so heavy as silver, and iron not so heavy as brass, the weight thus being arranged in the reverse of stability [TREGELLES]. Nebuchadnezzar derived his authority from God, not from man, nor as responsible to man. But the Persian king was so far dependent on others that he could not deliver Daniel from the princes (Dan 6:14-15); contrast Dan 5:18-19, as to Nebuchadnezzar's power from God, whom he would he slew, and whom he would he kept alive" (compare Ezr 7:14; Est 1:13-16). Græco-Macedonia betrays its deterioration in its divisions, not united as Babylon and Persia. Iron is stronger than brass, but inferior in other respects; so Rome hardy and strong to tread down the nations, but less kingly and showing its chief deterioration in its last state. Each successive kingdom incorporates its predecessor (compare Dan 5:28). Power that in Nebuchadnezzar's hands was a God-derived (Dan 2:37-38) autocracy, in the Persian king's was a rule resting on his nobility of person and birth, the nobles being his equals in rank, but not in office; in Greece, an aristocracy not of birth, but individual influence, in Rome, lowest of all, dependent entirely on popular choice, the emperor being appointed by popular military election.

Jamieson, Fausset & Brown — Commentary Critical and Explanatory on the Whole Bible (1871) — public domain (CC PDM 1.0). Text via the HelloAO Bible API.

Verse 32. Head was of fine gold] The Babylonish empire, the first and greatest.

Breast and his arms of silver] The Medo-Persian empire, under Cyrus, &c.

His belly and his thighs of brass] The Macedonian empire, under Alexander the Great, and his successors.

Adam Clarke's Commentary on the Bible (1810–1826) — public domain. Text from a community e-Sword/MySword module.

(32) Breast . . .—It should be remarked that though many different parts of the body of the image are mentioned, Daniel regards the whole thing as made up of only four parts, each corresponding to one of the four metals. Similarly he shows the history of the world in its relation to God’s people, complicated though it may be and varied in its aspect, consists of no more than four principal parts. It will be noticed that by the additional matter mentioned Dan_2:41-42, certain minor complications of history are intended, which, however, do not interfere with the fourfold division of which the outline is here given.

A Bible Commentary for English Readers, edited by Charles John Ellicott (1878–1897) — public domain. Text from a community e-Sword module.

32. This image’s head was, &c.] more forcibly, and also in better agreement with the original, As for that image, its head was, &c.

brass] i.e. copper (or bronze): see Wright’s Bible Word-book.

32, 33. The head of the image was of gold; but its substance deteriorated more and more until the feet were reached, which were of mingled iron and clay.

The Cambridge Bible for Schools and Colleges (gen. ed. J. J. S. Perowne; Cambridge University Press, 1878–1918) — public domain. Text from a community e-Sword module.

This image's head was of fine gold,.... The prophet begins with the superior part of this image, and descends to the lower, because of the order and condition of the monarchies it represents: this signifies the Babylonian monarchy, as afterwards explained; called the "head", being the first and chief of the monarchies; and compared to "fine gold", because of the glory, excellency, and duration of it:

his breast and his arms of silver; its two arms, including its hands and its breast, to which they were joined, were of silver, a metal of less value than gold; designing the monarchy of the Medes and Persians, which are the two arms, and which centred in Cyrus, who was by his father a Persian, by his mother a Mede; and upon whom, after his uncle's death, the whole monarchy devolved:

his belly and his thighs of brass; a baser metal still; this points at the Macedonian or Grecian monarchy, set up by Alexander, signified by the "belly", for intemperance and luxury; as the two "thighs" denote his principal successors, the Selucidae and Lagidae, the Syrian and Egyptian kings; and these of brass, because of the sounding fame of them, as Jerom.

John Gill's Exposition of the Whole Bible (1746–1763) — public domain (CC PDM 1.0). Text via the HelloAO Bible API.

This image’s head was of fine gold - Chaldee, “good gold” - טב דהב dehab ṭâb - that is, fine, pure, unalloyed. The whole head of the figure, colossal as it was, appeared to be composed wholly of this. Had the “whole” image been made of gold, it would not have been so striking - for it was not uncommon to construct vast statues of this metal. Compare Dan 3:1. But the remarkable peculiarity of this image was, that it was composed of different materials, some of which were seldom or never used in such a structure, and all of which had a peculiar significancy. On the significancy of this part of the figure, and the resemblance between this head of gold and Nebuchadnezzar himself, see the notes at Dan 2:37-38.

His breast and his arms of silver - The word rendered “breast” (חדין chădı̂y) is in the plural number, in accordance with common usage in the Hebrew, by which several members of the human body are often expressed in the plural; as פנים pânı̂ym - “faces,” etc. There is a foundation for such a usage in nature, in the two-fold form of many of the portions of the human body. The portion of the body which is here represented is obviously the upper portion of the front part - what is prominently visible when we look at the human frame. Next to the head it is the most important part, as it embraces most of the vital organs. Some degree of inferiority, as well as the idea of succession, would be naturally represented by this. “The inferior value of silver as compared with gold will naturally suggest some degree of decline or degeneracy in the character of the subject represented by the metal; and so in other members, as we proceed downward, as the material becomes continually baser, we naturally infer that the subject deteriorates, in some sense, in the like manner.” - Professor Bush, in loc. On the kingdom represented by this, and the propriety of this representation, see the notes at Dan 2:39.

His belly and his thighs of brass - Margin, “sides.” It is not necessary to enter minutely into an examination of the words here used. The word “belly” denotes, unquestionably, the regions of the abdomen as externally visible. The word rendered “thighs” in the text is rendered “sides” in the margin. It is, like the word “breast” in the previous verse, in the plural number and for the same reason. The Hebrew word (ירך yârêk) is commonly rendered “thigh” in the Scriptures (Gen 24:2, Gen 24:9; Gen 32:25 (26), 31, 32(32, 33), et al.), though it is also frequently rendered “side,” Exo 32:27; Exo 40:22, Exo 40:24; Lev 1:11; Num 3:29, et al. According to Gesenius, it denotes “the thick and double fleshy member which commences at the bottom of the spine, and extends to the lower legs.” It is that part on which the sword was formerly worn, Exo 32:27; Jdg 3:16, Jdg 3:21; Psa 45:3 (4). It is also that part which was smitten, as an expression of mourning or of indignation, Jer 31:19; Eze 21:12 (17). Compare Hom. Iliad xii. 162, xv. 397; Odyssey xiii. 198; Cic. 150: “Orat.” 80; “Quinc.” xi. 3. It is not improperly here rendered “thighs,” and the portion of the figure that was of brass was that between the breast and the lower legs, or extended from the breast to the knees. The word is elsewhere employed to denote the shaft or main trunk of the golden candlestick of the tabernacle, Exo 25:31; Exo 37:17; Num 8:4.

Of brass - An inferior metal, and denoting a kingdom of inferior power or excellence. On the kingdom represented by this, see the notes at Dan 2:39.

Albert Barnes' Notes on the Bible (1834–1885) — public domain. Text from a community e-Sword/MySword module.

32, 33. The dreamer dreams through the ages though he knows it not. In that sleep a thousand years were but as a watch in the night. “In the Parsee tradition Zoroaster was shown four trees, one of gold, another of silver, another of steel, and the fourth of iron, and he was told that these four trees represented four ages of the world (Bahman Yesht). Ovid sings of the ages of gold, silver, bronze, and iron (Metamorphoses); and though Hesiod (Works and Days) mentions five ages, he has for them only four metallic names — gold, silver, brass, and iron” (Terry). Compare also Dante, Inferno, 14:94, and Goethe, Das Mahrchen.

Daniel D. Whedon (gen. ed.), Commentary on the Old and New Testaments (1874–1909) — public domain. Text from a community e-Sword module.

Vers. 32, 33. This image"s head was of fine gold, his breasts and his arms of silver, his belly and his thighs of brass, his legs of iron, his feet part of iron and part of clay. The versions present no occasion of r,-mark, save that Theodotion has a doublet, a; ceirev, translating, "the hands, the breast, and the arms." The word rendered "fine" is really "good" (bf; tab). Naturally, there have not been preserved to us any composite images of this kind; gold and silver would certainly soon have found their way to the melting-pot after the fall of the Babylonian empire, had such a statue been erected in Babylon. Brass and iron were too precious not to follow in the same road. Among the Greeks, as we know, there were what were called "chryselephantine" statues, partly gold and partly ivory. In the description given of the Temple of Belus, we see a succession something akin to that in the statue, but it may be doubted whether we may deduce any connection between the two on that account. In the Book of Enoch the apocalyptist sees mountains of different kinds of metal of gold, silver, brass, iron, tin, and mercury, the first four coinciding with the metals in Daniel"s vision. Ewald refers in a note to the possibility that this idea might be borrowed from Hesiod, but rightly dismisses it as improbable. As to the metals used, gold and silver were well known in ancient times, as also iron, though, from the difficulty of working it, later. What is here translated "brass" ought to be rendered "copper;" "bronze" certainly was known very early, but the whole use of the word, vjn (Aramaic), or tvjn (Hebrew), implies that it is a simple metal; thus; Deu_8:9, "Out of whose hills thou mayest dig brass" (Hebrew, tvjn Onkelos, avjn). In this statue the progressive degradation of the material and situation is to be observed. The head, the highest part, gold; the shoulders, lower, silver; the belly and thighs, lower still, brass; the legs, lower yet, iron; and the feet and toes, lowest of all, a mixture of iron and clay. It is observed by Kliefoth that there is further a growing division. The head is one, without any appearance of division; the portion consisting of the breast and arms is divided, though slightly, for the chest is more important and bulky than the arms; the belly and thighs form a portion which from the plural form given to the word translated "belly," yhwOm (m"ohi), suggests more of dividedness than does that above. The lowest portion, that forming the legs and toes, has the greatest amount of division. Kliefoth also refers to another point that while there is a progressive degradation of the metal, there is also progression in degrees of hardness, silver being harder than gold, copper harder than silver, and iron hardest of all; then suddenly the iron is mingled with clay. There is not a new, softer material added to form a new fifth part; but there is a mingling of "clay clay suitable for the potter, or rather that has already been baked in the kiln, and therefore in the last degree brittle. In fact, there is a progress in frangibility gold the most ductile of metals, and iron the least so, then clay, when baked, more brittle still. There are many other successions that might be followed, which are at least ingenious. The idea suggested by the phrase, "part of iron and part of clay," is that there was not a complete mingling, but that portions were seen that were clearly clay, and other portions as clearly still iron; there was therefore the superadded notion of the imperfect union of the parts with the necessary additional weakness which follows.

The Pulpit Commentary (1880–1919), ed. H.D.M. Spence-Jones & Joseph S. Exell — public domain. Text from a community e-Sword module.

of fine gold [as translated,] of fine gold.

its breast [as translated,] its breast.

and its arms [as translated,] and its arms.

its belly and thighs [as translated,] its belly and thighs.

Rashi on the Tanakh — English translations: “The Judaica Press complete Tanach with Rashi, translated by A. J. Rosenberg” (CC BY 4.0); “Pentateuch with Rashi's commentary by M. Rosenbaum and A.M. Silbermann, 1929-1934” (public domain); “The Metsudah Tanach series, Lakewood, N.J” (CC BY 4.0); and “The Book of Joshua, Metsudah Publications, 1997” (CC BY 4.0). Text via Sefaria.