Lamentations 3:63

Hebrew (Westminster Leningrad Codex) Lamentations 3:63 appears in the Hebrew Old Testament. The text above is from the Westminster Leningrad Codex. Each word links to its Strong’s number, a concise gloss, and parsing drawn from the Open Scriptures Hebrew Bible morphology. Click any word for its full Brown-Driver-Briggs (BDB) entry.
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Lamentations 3:63 (World English Bible). Public Domain. Lemma interlinear Bible study tool, https://lemma.gebible.app/v/lamentations/3/63.

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English Translation
See you their sitting down, and their rising up; I am their song.
World English Bible · Public Domain
Highlights
  • 2 hapax legomena — only here in the Hebrew Bible
  • 2 first appearances in the Hebrew Bible
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Compare translations 3

The same verse in 3 English versions, stacked beneath the original-language interlinear above. Click any original word for its lexicon entry.

Each is an independent rendering of the whole verse — the interlinear is not word-aligned to these translations.

Highlighted words mark where these versions differ — a whole-verse word diff, not a word-by-word alignment.

  • World English Bible Public Domain
    See you their sitting down, and their rising up; I am their song.
  • King James Version Public Domain
    Behold their sitting down, and their rising up; I am their musick.
  • unfoldingWord Literal Text CC BY-SA 4.0
    Look at their sitting and their rising; I their mocking song. TAW

unfoldingWord Literal Text — © unfoldingWord, licensed CC BY-SA 4.0. Word-aligned USFM3 via Door43 (git.door43.org/unfoldingWord/en_ult).

Versions to compare (up to 4)

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Show all 18 translations

Every available English version of this verse, each an independent rendering of the whole verse.

  • World English Bible Public Domain
    See you their sitting down, and their rising up; I am their song.
  • Berean Standard Bible Public Domain
    When they sit and when they rise, see how they mock me in song.
  • Majority Standard Bible Public Domain
    When they sit and when they rise, see how they mock me in song.
  • King James Version Public Domain
    Behold their sitting down, and their rising up; I am their musick.
  • American Standard Version (1901) Public Domain
    Behold thou their sitting down, and their rising up; I am their song.
  • Revised Version (1885) Public Domain
    Behold thou their sitting down, and their rising up; I am their song.
  • Geneva Bible (1599) Public Domain
    Behold, their sitting downe and their rising vp, how I am their song.
  • Douay-Rheims (1899) Public Domain
    Sin. Behold their sitting down, and their rising up, I am their song.
  • Young's Literal Translation Public Domain
    Their sitting down, and their rising up, Behold attentively, I `am' their song.
  • Literal Standard Version CC BY-SA 4.0
    Their sitting down, and their rising up, || Behold attentively, I [am] their song.
  • Unlocked Literal Bible CC BY-SA 4.0
    Look at how they sit and then rise up; they mock me with their songs.
  • unfoldingWord Literal Text CC BY-SA 4.0
    Look at their sitting and their rising; I their mocking song. TAW
  • Darby Bible Public Domain
    Behold thou their sitting down and their rising up: I am their song.
  • World Messianic Bible Public Domain
    You see their sitting down and their rising up. I am their song.
  • Webster's Bible Public Domain
    Behold their sitting down, and their rising up; I am their music.
  • Free Bible Version CC BY-SA 4.0
    Just look! Whether they're sitting down and or standing up, they go on making fun of me in their songs.
  • Bible in Basic English Public Domain
    Take note of them when they are seated, and when they get up; I am their song.
  • JPS Tanakh (1917) Public Domain
    Behold Thou their sitting down, and their rising up; I am their song.

Literal Standard Version (2020), Covenant Press — licensed CC BY-SA 4.0. Text via the HelloAO Bible API (eBible.org). Unlocked Literal Bible (unfoldingWord) — licensed CC BY-SA 4.0. Text via the HelloAO Bible API (eBible.org). unfoldingWord Literal Text — © unfoldingWord, licensed CC BY-SA 4.0. Word-aligned USFM3 via Door43 (git.door43.org/unfoldingWord/en_ult). Free Bible Version, Dr. Jonathan Gallagher — licensed CC BY-SA 4.0. Text via the HelloAO Bible API (eBible.org).

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About this verse

These counts appear in no published source. They are computed here, from the morphology-tagged text and Lemma’s own curated glosses. What Lemma adds →

5
words
5
distinct lemmas
Prophets
section

Notable vocabulary

2 hapax legomena — words that appear only here in the entire Hebrew Bible:

  • וְקִֽימָתָם֙ rising up H7012
  • מַנְגִּינָתָֽם mocking song H4485

First appearance in Scripture

These words make their first canonical appearance in the Hebrew Bible here:

  • וְקִֽימָתָם֙ rising up H7012
  • מַנְגִּינָתָֽם mocking song H4485

Grammatical profile

  • 2 verbs
  • 2 nouns
  • 1 pronoun

Verb forms

  • שִׁבְתָּ֤ם Qal · Infinitive Construct
  • הַבִּ֔יטָה Hiphil · Imperative

Hebrew & Septuagint length

In English translation the verse runs 13 words from the Hebrew and 12 from the Septuagint (LXX English) — closely comparable.

A rough comparison of the two English renderings, which tokenize alike — not a word-level alignment.

Word counts can differ between the Hebrew and the Greek without any difference in meaning — e.g. the Hebrew direct-object marker אֵת has no separate Greek word, and Greek often adds the article ὁ.

Cross-references

3

Topical passages linked to Lamentations 3:63 in the Treasury of Scripture Knowledge — connected by theme and wording, ordered by reader-vote popularity; previews shown in the World English Bible.

  • Psalms 139:2 You know my sitting down and my rising up. You perceive my thoughts from afar.
  • Lamentations 3:14 I am become a derision to all my people, and their song all the day.
  • Job 30:9 "Now I have become their song. Yes, I am a byword to them.

Cross-references courtesy of OpenBible.info (CC BY 4.0).

Hebrew and Greek witnesses Masoretic Hebrew ↔ Greek Septuagint

The same verse in the two great witnesses to the Old Testament, shown verse-for-verse.

These are two independent witnesses, not word-aligned to each other, and the Septuagint is shown in lemma (dictionary) form.

Hebrew Lamentations 3:63 Masoretic · Westminster Leningrad Codex

שִׁבְתָּ֤ם וְקִֽימָתָם֙ הַבִּ֔יטָה אֲנִ֖י מַנְגִּינָתָֽם

See you their sitting down, and their rising up; I am their song.

World English Bible · Public Domain

Greek LXX Lamentations 3:63 Septuagint · lemma form

καθέδρα αὐτός καί ἀνάστασις αὐτός ἐπιβλέπω ἐπί ὁ ὀφθαλμός αὐτός

their sitting down and their rising up: look you upon their eyes.

LXX2012 (modern English Septuagint) · Public Domain

Hebrew: Westminster Leningrad Codex (CC BY 4.0). Greek: Septuagint (public domain); English from LXX2012 (modern English Septuagint) (Public Domain). How the Septuagint differs from the Hebrew →

Commentary

Notes on Lamentations 3:63 from classic Christian and Jewish commentators (each source and its license shown beneath its notes). The classic Christian expositions comment on the surrounding passage and are grouped to its opening verse, so a note may address several verses; the Jewish commentaries on the Tanakh (Rashi and others) are per-verse, so they appear only where the commentator wrote on this verse.

Lemma curates 59 commentaries, every one of them public domain or Creative Commons licensed, each selected and text-cleaned for this edition rather than reprinted as found. About our sources →

Trapp's Complete Commentary

John Trapp

Lam 3:63 Behold their sitting down, and their rising up; I [am] their musick.

Ver. 63. Behold their sitting down, and their rising up.] Or, At their both sitting down (to eat), and at their rising up (from eatting). I am their music master, their table talk, and the matter of their mirth; they make sport with us, as the Philistines did with Samson. David complaineth of the like evil dealing. {Psa 35:15-17}

John Trapp, A Commentary or Exposition upon All the Books of the Old and New Testament (1647–1656) — public domain. Text from a community e-Sword module.

Jamieson, Fausset & Brown

Robert Jamieson, A. R. Fausset & David Brown

sitting down . . . rising up--whether they sit or rise, that is, whether they be actively engaged or sedentary, and at rest "all the day" (Lam 3:62), I am the subject of their derisive songs (Lam 3:14).

Jamieson, Fausset & Brown — Commentary Critical and Explanatory on the Whole Bible (1871) — public domain (CC PDM 1.0). Text via the HelloAO Bible API.

John Calvin's Commentaries

The Prophet repeats still the same thing, only in other words. He had spoken of the lyings in wait, and the conspiracies and the speeches of his enemies; he now adds, that nothing was hid from God. By sitting and rising, he means all the actions of life, as when David says,

“Thou knowest my sitting and my rising,” (Psalm 139:2;)

that is, whether I rest or walk, all my actions are known to thee. By rising, then, the Prophet denotes here, as David did, all the movements or doings of men; and by sitting, he means their quiet counsels; for men either deliberate and prepare for work while they sit, or rise, and thus move and act.

He means, in short, that whether his enemies consulted silently and quietly, or attempted to do this or that, nothing was unknown to God. Now, as God takes such notice of the counsels and all the actions of men, it cannot be but that he restrains and checks the wicked; for God’s knowledge is always connected with his office as a judge. We hence see how the Prophet strengthens himself, as we have lately stated, and thus gathers a reason for confidence; for the wicked counsels of his enemies and their works were not hid from God.

He adds, I am become a song He again sets before God his reproach, east upon him by the ungodly. For that indignity also availed much to lead God not to suffer his people to be unworthily treated. It now follows, —

John Calvin's Commentaries (1540-1563) — public domain. Text from the Calvin Translation Society English edition (1840s-50s) via the Christian Classics Ethereal Library (ccel.org). Calvin's coverage is partial (roughly two-thirds of the Bible); uncommented books and verses are honest gaps, never fabricated. The 19th-century editor's footnotes and remarks are omitted so the notes are faithfully Calvin's own voice.

Ellicott's Commentary for English Readers

(63) Their sitting down, and their rising up . . .—The two words, as in Deu_6:7; Deu_11:19; Psa_139:2; include the whole daily and hourly conduct of those spoken of.

I am their musick.—The noun, though not identical, is cognate with that of Psa_69:12, of which the complaint is, as it were, an echo.

A Bible Commentary for English Readers, edited by Charles John Ellicott (1878–1897) — public domain. Text from a community e-Sword module.

The Cambridge Bible for Schools and Colleges

gen. ed. J. J. S. Perowne

63. song] Cp. Job_30:9.

their sitting down, and their rising up] their whole course of life. Cp. Psa_139:2.

The Cambridge Bible for Schools and Colleges (gen. ed. J. J. S. Perowne; Cambridge University Press, 1878–1918) — public domain. Text from a community e-Sword module.

Haydock's Catholic Bible Commentary

Up, all their conduct. --- Song. Ver. 14.

George Leo Haydock (1774–1849), Haydock's Catholic Family Bible and Commentary, 1859 edition — public domain. Excludes Psalms (Douay-Rheims chapter numbering differs from Protestant) and Deuterocanonical books (Catholic canon only).

Matthew Poole's English Annotations

That is, at all times, when they sit down and rise up, I am their song. Though probably the words have a special reference to their sitting down at feasts, and at their merry meetings. I am all the subject of their discourse, they spend their time in mocking and scoffing at us, and at Jerusalem; we are they that make them sport.

Matthew Poole's English Annotations on the Holy Bible (1683–1685) — public domain. Text from a community e-Sword/MySword module.

The Pulpit Commentary

Their sitting down, and their rising up. Elsewhere the phrase is a comprehensive expression for all a man"s occupations. (comp. Psa_139:2 Isa_37:28) I am their music; rather, their song; i.e. the subject of their taunting songs, p. in the parallel passage, Job_30:9; comas Psa_69:12.

The music of the wicked.

I THE PLEASURES OF BAD MEN. Musical tastes are, of course, irrespective of moral character. There are certain original qualities both in eye and ear which remain and demand satisfaction, whatever the moral character may become. If a person of musical tastes becomes a Christian, than his Christianity may be the better for his music, or possibly, if he is not careful, it may become worse. On the other hand, if a person of musical tastes becomes an utterly selfish and self-indulgent man, then music will become the instrument of all that is bad. And so we find that great excellence in arts has been found intermingled with the grossest profligacy. Men are not necessarily better because intellect and tastes have been cultivated. The only power which, allowed to work, must make men better is the Holy Spirit of God, and where he is working, such things as music and pictures may be welcomed to give additional beauty.

II A MALIGNANT TENDENCY IN THE PLEASURES OF BAD MEN. Bad men must ever be hindered and thwarted by the good, and when the bad get any sort of temporary triumph over the good, they will make it a cause of exultation. To some degraded and embittered hearts great is the pleasure of giving pain. This is the peril of satirists. Great intellectual gifts and powers of literary expression are concentrated on a few polished verses, which pain the subject of them all his life. There is no diviner instrument than pain as a means to an end, but surely that heart is set on fire of hell that can make pain an end in itself Y.

The Pulpit Commentary (1880–1919), ed. H.D.M. Spence-Jones & Joseph S. Exell — public domain. Text from a community e-Sword module.

John Wesley's Explanatory Notes

I am - At feasts, and at their merry meetings, I am all the subject of their discourse.

John Wesley, Explanatory Notes Upon the Whole Bible (1754–1765) — public domain. Text via the GEBible commentary corpus.

Lesson kit

Teaching starters — assembled from the data on this page, not authored interpretation. Every prompt links to the verse data it draws on. Edit before teaching.

Lamentations, in the Prophets, opens this verse with 5 words (5 distinct Hebrew lemmas). Its most distinctive word is qîymâh (“rising up”). A historical commentator’s framing appears above. Read the whole chapter for the surrounding context.

Discussion questions

  1. The word qîymâh carries the sense “rising up.” How does it shape the verse?
  2. 2 words here appear nowhere else in the Hebrew Bible. Why might the author reach for such rare wording?
  3. 2 words make their first appearance in Scripture here. What does this debut establish?
  4. How does Psalms 139:2, which shares this passage’s theme, read alongside this verse?
  5. These translations render this verse differently; the difference is in the English rendering, not the original. What questions does that raise?
  6. «שִׁבְתָּ֤ם» is a Qal Infinitive Construct verb. How does that grammatical form shape the action described?
  7. Compare how Trapp's Complete Commentary and Jamieson, Fausset & Brown read this verse. Where do they agree or differ?

Things to notice

  • 2 words in this verse appear nowhere else in the Hebrew Bible.
  • 2 words make their first canonical appearance in Scripture here.
  • These translations choose different wording for 11 words in this verse.
  • 5 distinct Hebrew lemmas span 5 words in this verse.

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